Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas The cotton company of New Orleans oil painting


The cotton company of New Orleans
mk128 Oil on canvas 73x92cm 1873
Painting ID::  37725 		Edgar Degas
The cotton company of New Orleans
mk128 Oil on canvas 73x92cm 1873
   
   
     
Edgar Degas Dance oil painting


Dance
mk128 Oil on board 19x27 1872
Painting ID::  37726 		Edgar Degas
Dance
mk128 Oil on board 19x27 1872
   
   
     
Edgar Degas Mrs. Edgar oil painting


Mrs. Edgar
mk128 Oil on canvas 72.7x92cm 1872-1873
Painting ID::  37727 		Edgar Degas
Mrs. Edgar
mk128 Oil on canvas 72.7x92cm 1872-1873
   
   
     
Edgar Degas Cafard oil painting


Cafard
mk128 Oil on canvas 72.7x92cm 1872-1873
Painting ID::  37728 		Edgar Degas
Cafard
mk128 Oil on canvas 72.7x92cm 1872-1873
   
   
     
Edgar Degas Support mandatory practice oil painting


Support mandatory practice
mk128 Oil on canvas 74x80cm About 1876-1877
Painting ID::  37729 		Edgar Degas
Support mandatory practice
mk128 Oil on canvas 74x80cm About 1876-1877
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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